In Piazza San Domenico
(eBook)

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eBook
Status
Available Online

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Published
Talonbooks, 2011.
Language
English
ISBN
9780889227330

Citations

APA Citation, 7th Edition (style guide)

Steve Galluccio., & Steve Galluccio|AUTHOR. (2011). In Piazza San Domenico . Talonbooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Steve Galluccio and Steve Galluccio|AUTHOR. 2011. In Piazza San Domenico. Talonbooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Steve Galluccio and Steve Galluccio|AUTHOR. In Piazza San Domenico Talonbooks, 2011.

MLA Citation, 9th Edition (style guide)

Steve Galluccio, and Steve Galluccio|AUTHOR. In Piazza San Domenico Talonbooks, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1c103b60-d0c1-e2f4-d589-8ced7614f579-eng
Full titlein piazza san domenico
Authorgalluccio steve
Grouping Categorybook
Last Update2024-05-15 02:00:43AM
Last Indexed2024-05-18 02:25:39AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 24, 2023
Last UsedMay 18, 2024

Hoopla Extract Information

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    [synopsis] => Steve Galluccio's newest stage triumph, In Piazza San Domenico, is a comedy of errors that takes place in a bustling neighborhood of 1952 Naples. This two-act play recounts the story of how one broken engagement ripples throughout friends and family, affecting all of their respective love lives in different ways. The young and beautifully earthy Carmelina faints in the arms of the town philanderer, Tonino, setting off a wave of malicious gossip that seems to infect everyone in town with second thoughts about their current partners, and inexplicable desires for new ones, as often as not consummated on that shadowed spot of carpet behind the statue of San Francesco in the church on the town square. Finally, as if the very gods are angry with these salacious goings-on, an earthquake hits the town, sending the characters into the piazza and keeping them there for the night with a series of ominous aftershocks. As the sun rises, misunderstandings are resolved, the truth is revealed, and hardened hearts yield to the eternally verdant desires for life. In a world and a time hovering between the “traditional" values and the emancipated new thinking, Italian theatrical archetypes with their roots in Roman comedies and the Commedia dell'arte evolve into the recognizable stereotypes of mid-twentieth-century society that were to become hallmarks of the whimsical Sophia Loren/Marcello Mastroianni films of the early 1960's. Of this play, Galluccio has said: "Humor is a powerful tool that can get us through anything … the human spirit and its sense of survival is bigger than whatever society can throw at us."
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