The Fiction of Emyr Humphreys: Contemporary Critical Perspectives
(eBook)

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eBook
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Published
University of Wales Press, 2011.
Language
English
ISBN
9781783164417

Citations

APA Citation, 7th Edition (style guide)

Linden Peach., & Linden Peach|AUTHOR. (2011). The Fiction of Emyr Humphreys: Contemporary Critical Perspectives . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Linden Peach and Linden Peach|AUTHOR. 2011. The Fiction of Emyr Humphreys: Contemporary Critical Perspectives. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Linden Peach and Linden Peach|AUTHOR. The Fiction of Emyr Humphreys: Contemporary Critical Perspectives University of Wales Press, 2011.

MLA Citation, 9th Edition (style guide)

Linden Peach, and Linden Peach|AUTHOR. The Fiction of Emyr Humphreys: Contemporary Critical Perspectives University of Wales Press, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3c9a508b-e783-a9ef-f00b-73661a99c12c-eng
Full titlefiction of emyr humphreys contemporary critical perspectives
Authorpeach linden
Grouping Categorybook
Last Update2024-05-15 02:00:43AM
Last Indexed2024-06-01 02:48:00AM

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    [synopsis] => For over half a century, Emyr Humphreys's work as a novelist, short story writer, poet, dramatist and television producer has been extraordinarily impressive. This pioneering and stimulating book considers Humphreys's fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Drawing on the work of leading modern cultural and literary theorists such as Jacques Derrida and Homi Bhabha, psychoanalytic critics such as Melanie Klein and Jacqueline Rose, and gender theorists such as Judith Butler, Linden Peach brings fresh perspectives to the content, structure and developing nature of Humphreys's work, employing, for example, historicist, post-historicist, new geography, psychoanalytic and feminist and postfeminist frameworks. Through detailed readings which highlight subjects such as gender identity, contested masculinities, war, pacifism, strangeness and 'otherness', problematic father and daughter relationships, and cultural discourse in complex linguistic environments, Peach suggests that Humphreys's work is best understood as 'dramatic', 'dissident' and/or 'dilemma' fiction rather than by the term 'Protestant novelist' which Humphreys used to describe himself at the outset of his career. Stressing how Humphreys came to see himself as more of a 'protesting' novelist, Peach examines how the dilemmas around which his fiction is based, originally linked to Humphreys's definition of himself as a 'protestant' writer, increasingly become sites in which controversial, and often dark themes, are explored. This approach to Humphreys's work is pursued through exciting readings of some of Humphreys best and lesser-known works.
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