Emyr Humphreys: A Postcolonial Novelist?
(eBook)

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eBook
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Published
University of Wales Press, 2009.
Language
English
ISBN
9781783163694

Citations

APA Citation, 7th Edition (style guide)

Diane Green., & Diane Green|AUTHOR. (2009). Emyr Humphreys: A Postcolonial Novelist? . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Diane Green and Diane Green|AUTHOR. 2009. Emyr Humphreys: A Postcolonial Novelist?. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Diane Green and Diane Green|AUTHOR. Emyr Humphreys: A Postcolonial Novelist? University of Wales Press, 2009.

MLA Citation, 9th Edition (style guide)

Diane Green, and Diane Green|AUTHOR. Emyr Humphreys: A Postcolonial Novelist? University of Wales Press, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4dbedbcc-24c9-24a2-47f6-7d2978c6f18b-eng
Full titleemyr humphreys a postcolonial novelist
Authorgreen diane
Grouping Categorybook
Last Update2024-05-15 02:00:43AM
Last Indexed2024-06-01 02:58:31AM

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    [synopsis] => This book is an examination of the novels of Emyr Humphreys in the light of his ideas on Wales: Welsh history, Welsh culture and the importance of a separate Welsh identity. It explores Humphreys' practice in the light both of his own theories of culture and fiction and of a variety of models derived from postcolonial theory. Its main conclusions are that there are two particular techniques, the use of Welsh history and of Celtic myth, that have proved particularly central to Humphreys' purposes throughout his career. These have consistently been the principal ways in which he foregrounds for the reader both what it means to be Welsh and the importance, for the nation, of maintaining an understanding of its heritage. And both these key strategies of his fiction should, it is argued, be read as typical postcolonial devices.
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